10 结果
cineteca nacional – the mexican national film archive – has established a digital workflow for efficient archiving and playout of film material and to ensure they have the most up-to-date workflows that will grow with their requirements. four r&s®spycerbox ultra tl systems are at the core of the workflow, quickly and reliably providing film data for further processing. the r&s®clipster mastering station is used for transcoding and for creating proxies. r&s®fuze finalizes all material in different formats and also creates digital cinema packages (dcp).
two additional uhd channels have gone on air using rohde & schwarz technology. in addition to hollywood blockbusters (on demand), pay tv provider sky deutschland now also broadcasts selected uefa champions league and german national league (bundesliga) matches live in uhd. rohde & schwarz products are used throughout the entire production chain – from ingest and storage to playout and the headend. rohde & schwarz and system integrator qvest media planned and implemented the project.
motion picture solutions (mps), a film mastering and distribution house, relies on r&s®clipster.
studio hamburg postproduction is using r&s®clipster to digitize historical film material.
molinare, the leading uk supplier of postproduction solutions, wanted a robust, reliable solution to achieve 16-bit exr playback in realtime at 4k, 24 frames per second, and to master dcps to deadline, on time, every time. for molinare there was only one choice – the r&s®clipster, version 6.
case study: arri media has integrated rohde & schwarz production tools throughout its operations and is frequently one of the first to adopt new rohde & schwarz products and systems when they become available.
london-based pinewood studios provides film and digital dailies. the versatile, reliable, high-performance solutions from rohde & schwarz give pinewood a range of ingest and storage solutions that meet their exacting needs.
mastering excellence.
the current situation in the film industry with its tremendous amount of file formats, codecs and containers which exists to handle digital video data, is a real challenge when it comes to exchanging content. this scenario is caused due to the lack of a general standard for the exchange of digital video data, corresponding to the hdcam-sr standard. furthermore, there is no proper solution available for an easy distribution and transfer of a multitude of master versions, including different languages, subtitles and video inserts between business partners. to fill this gap the interoperable master format (imf) was created by the smpte (society of motion picture and television engineer) members including rohde & schwarz and 186 well-known leading u.s. studios, manufacturers and vendors.
the number one choice for customers in the "higher, faster and further" film industry, r&s®clipster remains the preferred choice for postproduction studios. r&s®clipster enables them to keep pace with the evolution of image and audio. r&s®clipster enables them to keep pace with the evolution of image and audio. the workstation is so popular worldwide that clipstering is used as a synonym for mastering